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Handschiegl color process
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Handschiegl color process : ウィキペディア英語版
Handschiegl color process
The Handschiegl color process (, , App: Nov 20, 1916, Iss: May 13, 1919) produced motion picture film prints with color artificially added to selected areas of the image. Aniline dyes were applied to a black-and-white print using gelatin imbibition matrices.
==History of the process==
The process was invented in 1916 for Cecil B. DeMille's production of ''Joan the Woman'' (1917) by engraver Max Handschiegl and partner Alvin W. Wyckoff, with assistance from Loren Taylor. All three were technicians at the studio where the film was shot, Famous Players-Lasky, later Paramount Studios. The system was originally advertised as the "Wyckoff" process, and later referred to in publicity as the "DeMille-Wyckoff" process.
For a time, the process was strictly used for Paramount releases, but when Handschiegl and Wyckoff left Famous Players-Lasky, the process became known as the Handschiegl Color Process. Aside from Pathé's stencil process Pathéchrome, the Handschiegl process was the most widely used form of artificial coloring in motion pictures of the 1920s.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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